Cassidy Nolan is a drug addicted journalist responsible for one of the most iconic photographs of the new millennium. Fourteen years on from capturing the image, it has become a significant part of the documented experiences of an event that has tipped the world towards the precipice of an uncertain future.
A chance encounter with Paco, a street kid who deals only in absolutes, will see both of their paths converge on the discovery of a sinister truth about the world in which they inhabit. Even if they survive long enough to reveal what they have uncovered,there are no certainties that it will change anything in an uncaring world that is long past its expiry date.
I received a free copy of this book courtesy of the author in exchange for an honest review.
Following on from Alliss’ high octane and action-packed sci-fi thriller Frame, he told me about book two in this series, Future’s Orphans. He also told me that Future’s Orphans was written before Frame even though the story follows on from it. Colour me intrigued, I was looking forward to finding out if this second book in the series still worked well with Frame knowing it was written first. I won’t deny I was also interested to see if there was any significant disconnect as a result.
I will save you the waiting; I was immensely and happily surprised. The story feels like it flows nicely, following some 14 years after the events of Frame. I found the 14-year gap was well thought out, rather than a device to make the writing of Frame easier. Given the catastrophic climax to Frame the decade and a half that pass between that and Future’s Orphans allow the reader to imagine the steady decline of society and humanity as order begins to fail.
The story picks up with a journalist, Cass Nolan, who captured an image of the events seen 14 years prior – probably the most iconic photograph of the new millennium. The was just the beginning of humanity moving towards a precipice, where everything would be changed. Two less-than-clean organisations, the ONI and Ouroboros have control as the ruling power, bringing a vague semblance of order and law to the a world staring at disaster.
They rule by fear and intimidation within their small “city” where a threat of being cast out into the wastelands beyond the city walls is thought to be enough to keep the dwindling masses in check. Alliss has crafted a dark, sorry world for his characters to make sense of and find their place in. He doesn’t try to soften the blow with a sense of hope like a light at the end of the tunnel, but rather maintains a sense of hopelessness.
People survive, modulating their emotions with chemical-infused patches, and the ONI stamp out any sniff of rebellion, casting out anyone who dares to go against their carefully-crafted societal order. Cass and a young street urchin named Paco among those cast out. The world beyond is an unforgiving place, and Alliss has painted a stark, bleak image of a cruel world so well, and only enhances this with his characters. There are a number of twists in the story, and brilliant character development lead the reader to constantly change their opinion of the leading players in this story.
So well written is Future’s Orphans, that if I wasn’t already told that it was created before Frame, I think I would struggle to tell. The only give away perhaps, aided by my prior knowledge, is that you can see Alliss’ writing style and storytelling improving, something I can only imagine will continue when he releases the third book in this series, Gravity’s Truth, in 2018.